79. At the Gates, ‘Slaughter of the Soul’ (1995)

Earlier, when I reviewed Entombed’s Left Hand Path, I introduced the Stockholm style of playing death metal—raw, fast, and subterranean. Left Hand Path is a prime example of that sound. At the same time, bands in Gothenberg were engineering a second style of death metal, which would become melodic death metal. Melodic death metal straysContinue reading “79. At the Gates, ‘Slaughter of the Soul’ (1995)”